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Absentminded (2021)
Clara Kim
92cm x 92cm
Acrylic on canvas
The artist's technique of drawing with a knife rather than a brush is shows the Western influence in her life, yet the subjects are very similar to a Korean fairy tale. Her work itself creates a collision between the two worlds. As the subjects of her works are chicken and frogs, these two are natural enemies. Entwined within the food chain represents the hierarchal structures confronted by the artist’s struggle.
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Birch Forest #4 (2020)
JaeHeung Shin
72.7cm x 50cm
Oil on canvas
The artist, who has been painting only rural landscapes in Korea for 20 years, expresses his thought that “there is nothing that is alive that is not strong”. Even the bare appearance of a birch tree can show its beauty as it is alive as such, and such straightening vitality is a tribute to the desire to be alive.
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Coexistence - Canada (2022)
JaeHyun Han
20" x 16"
Mixed media
Meticulously unusual is the methodology of this artists who takes a photo and sews the added meanings on top of the photography. Through the seams, he stitches a completely new meaning, different from the photo on its base. Aboriginal symbols engraved on the rising city stimulates the imagination of a strange yet different connection.
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Communication (2019)
TaeGeun Yang
200 mm x 200 mm x 0.5 mm
Wood, Steel
His sculptures show honesty. There is anger in the face of fury, distance and tension between the people conversing across their rift, while the self is reflected in the large dome of thoughts. Is it the object in his work that thinks or is it me that is reflected in the object?
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Exterior #14 (2019)
HoSung Kim
72.7cm x 53cm
Oil on canvas
His artwork is not seen by sight but by taste. “That looks delicious” is the first reflex in mind when seeing his work. Hyper-realism paintings are faithful to the visual world, while the visible is emphasized, the truth is hidden within. The moment the eyes lays on the art, a strange sensation occurs where transfixed is the communication between the senses.
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Illusion (2022)
JooHee Jang
38in x 76.5in
Mixed media
The artist draws on the theme of memories and fantasies that was felt during life. Such an inexplicit image comes to the artist as a video, and she draws out the colours of the painting by brush stroking, illuminating the painting with various materials.
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Mothertree - Bluebird (2016)
Genie Kim
36" x 48"
Acrylic gouache
The wide embrace of a mother is what makes it possible to explore to the fullest, the vast sea that is the world. Sometimes it spreads out like the branches of a tree and stretching so far that it cannot return to its roots. Maybe this is what the tree called mother is.
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Natural Being 21 - 89 (2021)
KeunJoong Kim
53 cm x 45.5 cm
Oil on canvas
Abstract blooming like a flower. The beauty of existence, where the colours of joy, sadness, laughter, and tears are harmoniously grouped and intertwined like a floral garden.
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Open Your Eyes Wide (2019)
In Kim
90cm x 64cm
Acrylic on canvas
Painting is always an act recording the inadequacy. The outer and inner communicate and divide, and its dissonance appears as despair. However, in the face of despair, the youthful, lively, and kind figure is portrayed as the character called ‘Atom’, like a savior who will save us. His fist and his appearance are our salvation itself.
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Returning Home in Glory (2017)
JeongMee Choi
38cm x 25cm x 40cm
Ceramic
A cute and sweet rabbit icon is born by applying the sweet sugary coatings to the adorable image of a rabbit. The artist’s imagination has captured the common essence of a rabbit while blending a sweet coating of the Korean cultural homage of a ‘rabbit on the moon’. With a perfect mix of foreign and familiar, you can feel the near and far presence of the rabbits’ soul.
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Sounds of the Scenery (2018)
GilWoo Lee
122 cm x 87 cm
Incense fire on Sunji, Coloring on Jangji, Baejeob, Coating
The waterfall breaching through the streams toss and churns with the written text to create the sounds of the falls.The image expands beyond the flat dimensions and crosses the realm of sensory sight into the auditory.
Whether the falling is the waters from the falls or the letters of the text, but their harmony brings the sounds of the scenery.
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Spring, Gold Leaf (2022)
Jennica Kim
36" x 24"
Goldleaf and oil on canvas
The brush strokes faithful to the basics grants a sense of stability and profusion. Like the heart of a mother sending her well-raised daughter into marriage, her paintings show the perfection, satisfaction, and pride that he has been raised steadily. The vitality of the bride in harmony with the flowers fills the canvas with the artist's blessing to prosper into the future.
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Surfing (2019)
DongYoo Kim
112.1 cm x 145.5 cm
Oil on canvas
One by one, each brushstrokes gathered to draw a tidal wave, with a person shown riding it. As life is not a single brushstroke, but a series of small events that paints its entirety, his paintings reflect such understanding of life. The twists and turns of life’s events, as if riding a wave, are melted in the piece ‘Surfing’.
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The Persimmon Tree in front of the Reed Field (2021)
BoYeon Kim
60 cm x 72 cm
Mixed media on wood
Instead of using a canvas, Kim cuts out a woodblock to express the texture and paints on its surface. The persimmon trees that she saw as a child is more vividly expressed in her unusual media. Her techniques make a flat painting take a more expressive shape and form as each grain of the surface juxtaposes the artist’s expressive efforts.
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The Red Mountain (2021)
HyunWook Kang
34.6cm x 38cm
Oil On Painting
Mountains clustered together.
The reddish mountain and yellow centerline add colour to the seemingly apathetic landscape, welcoming our senses to visit the mountain. The color that touches the sky, creates a boundary between the seemingly uniform landscape, revealing the artist's identity.
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The Unseen and the Unspeakable YJA_4961-2 (2020)
HyunMee Lee
130.3 cm x 97 cm
Mixed media
At the southern edge of the Korean peninsula is the village of Namhae. Where the blue sea meets the edge land, the cliffs may bring abrupt endings, but it may also give the freedom to contemplate while letting our guards down. Namhae greets us like the serenity brought on by an ending of a book. Lee expresses the black and blue sea with Korean colours, the ‘meok’ ink.
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Trace of Time I (2022)
YooKyung Cha
35" x 55"
Acrylic on canvas
By constantly wiping off the canvas, at times exposing the base, the remaining forms are revived along the lines of the work. What is drawn is erased and new forms appear from what is taken away. These images are the fading memories from our lives, and the reminiscent memories that takes form in our minds.
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Untitled (2018)
SeungYun Im
80cm x 60cm
Mixed media
What is seen, what is felt, how can it be expressed. Artists are the architects, building the elements in front of such questions. Textures, patterns, and shapes are methodically positioned through various attempts to complete its systematic aesthetics.
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Walking Through Time (2022)
Cecilia Choi
36" x 56.5"
Photographic
The manhole is the focal point for this artist's imagination. The things that we step on and pass by every day without thought, when we refocus on them, are perhaps the things that have had the most important roles in our world. This search for the inapparent and alienating subject for her art is the artist's journey to find the manhole, affection, and the artist's obsession.
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When the Whale Met the Ocean (2021)
YooYoung Amy Oh
36" x 48"
Mixed media on canvas
Some images may have inexplicit definitions and descriptions. However, instead of depicting the smooth and well-curved bodies of the pod of whales, she mixes various materials to express the realistic, detailed definitions. The struggle of the whale, which survives through their strong motherhood, is brought to life through the artist's hands.
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We Say What
HyunWook Kang
Media Art
What is communication for an artist? In France, the conversations between Korean and Chinese exchange students transfer imperfectly with language, but as same sapiens, emotions that cannot be expressed in words, come and go. Maybe our conversations are always imperfect as we are always foreign to who we are.
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